Apple ProRes Codecs - Something You Gotta Known If you're a video editor and work with Apple's Final Cut Pro, you've likely seen Apple ProRes codec. But what is ProRes codec? To new editors, it's a confusing term. Hopefully, by the end of this article, you'll have a decent understanding of what Apple ProRes is and the five types of ProRes codec. What is Apple ProRes Apple ProRes is Apple's professional video codec. It compresses video very mildly.
It's a kind codec, visually lossless across many generations. In the video industry, it's called an 'intermediate' codec, which means that it is optimized for capturing and editing video. It is not designed as a 'delivery' format. You edit with it, and then convert to whatever type of video you want to give to your client, or upload to YouTube or Vimeo. The Apple ProRes codecs provide an unparalleled combination of multistream, real-time editing performance coupled with impressive image quality at reduced storage rates.
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In particular, the Apple ProRes codecs have been designed to work especially well as high-quality, high-performance editing codecs for Final Cut Pro, taking full advantage of multicore processing and featuring fast, reduced-resolution decoding modes. Types of Apple ProRes Codecs The Apple ProRes format comes in five versions: Apple ProRes 4444, Apple ProRes 422 (HQ), Apple ProRes 422, Apple ProRes 422 (LT), and Apple ProRes 422 (Proxy). The following list describes the features of each version. For a complete comparison of the relative data rates of the Apple ProRes codecs, see.
Apple ProRes 4444 The Apple ProRes 4444 codec offers the utmost possible quality for 4:4:4 sources and for workflows involving alpha channels. It includes the following features: - Full-resolution, mastering-quality 4:4:4:4 RGBA color (an online-quality codec for editing and finishing 4:4:4 material, such as that originating from Sony HDCAM SR or digital cinema cameras such as RED ONE, Thomson Viper FilmStream, and Panavision Genesis cameras).
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